Huh, long weekends.
I'm feeling kind of optimistic about the war this morning, but then, I haven't read the news sites yet this morning. I'm going to put a placer down and say that I believe that we're winning in Iraq today, and that it'll finally settle down into a low-level series of terroristic outbursts and border flareups with Iran. I'm not as sanguine about the prospect of war with Iran, and the ongoing deterioration of Afghanistan. We've ceded a certain amount of control in Afghanistan to NATO, so to one degree or another that situation is kind of out of control, and that's always worrisome. One of the things I'll be looking for in a future administration is a healthy re-engagement with Afghanistan, and the proxy-war with Pakistan's demons which "Afghanistan" represents.
I spent part of this last weekend talking with a once-estranged friend who's going to be deploying to Iraq by the end of the year with one of the new Stryker brigades. He seems pretty optimistic, but then, he hasn't been actively deployed since the second year of the Bosnia deployment. I didn't hear anything I haven't been hearing elsewhere in my own little personal echo-chamber, so take that as you will.
But Fred, I can't imagine that it's a good idea to use adjectives like "savage" when talking about Muslims, Shia or Sunni. Words have meaning, and I like to reserve such explosive and loaded terms for actual savages, like the takfiri and the terrorists and the criminals hired by both.
Monday, April 28, 2008
Wednesday, April 23, 2008
Huh. The Clearfield wallah beat my-neighbor-the-carpetbagger. Guess I'll definitely be voting Republican in the generals, unless this Thompson fellow turns out to be a sheep-molester or something like that. And, since they seem to have done well enough in shaking the trees & emptying the closets of skeletons - Walker, sucks to be you, dude - I'm guessing that possibility is pretty slight.
But it's not good when the Democrats roll out more primary votes than the Republicans in such a traditionally Republican, rural district, especially when the Republican congressional race is that heavily-contested. About 69.5k to more than 71k? Not good, folks. Pennsyltucky is starting to go blue in the face.
And yes, the Shrew made her numbers. It's gonna go to a second ballot at the least. Woo-hoo! Contested convention!
But it's not good when the Democrats roll out more primary votes than the Republicans in such a traditionally Republican, rural district, especially when the Republican congressional race is that heavily-contested. About 69.5k to more than 71k? Not good, folks. Pennsyltucky is starting to go blue in the face.
And yes, the Shrew made her numbers. It's gonna go to a second ballot at the least. Woo-hoo! Contested convention!
Monday, April 21, 2008
Tuesday, March 25, 2008
You often hear it said, of some political or other opportunist, that he would sell his own grandmother if it would suit his interests. But you seldom, if ever, see this notorious transaction actually being performed, which is why I am slightly surprised that Obama got away with it so easily.
Hitchens, of course. Who would know from knifing beloved, sainted figures like grandmothers and Mother Teresa. In Hitchens' defense, of course, is the fact that the sacred cows he gores are ours, not his.
Thursday, March 13, 2008
There's a competitive race for the Fifth Congressional District of Pennsylvania for the first time in twelve years. It's a heck of a mess over on the Red side of the aisle with nine contenders. Luckily, I got pissed off in the spring of 2003 & re-registered as an ass, er, I mean Democrat. This means that I only have to care about the *Democratic* primaries, and have no say in the other contest, and thus, justifiably, no reason to care until after the primaries are over. I've only got a choice between three candidates. They are as follows:
Mark B. McCracken. The only thing I know about him is what I've read in the CDT, namely, he's a county commissioner from Clearfield, and has an ill-thought-out "bring 'em home now" position on Iraq. I don't think so.
Rick Vilello, the mayor of Lock Haven. Again, never heard of him before now. And frankly? Mayors in Central Pennsylvania are nonentities. I couldn't tell you *Bellefonte*'s mayor without resorting to Google. (I checked, far as I can tell, it's still Stanley Goldman.) The point here, is that it isn't really a serious stepping stone. His position on Iraq is worse than McCracken's - glib, stupid, and dangerous.
Finally, there's Bill Cahir, my carpetbagging Iraq-war veteran neighbor. As expected, his position is solid and uncontroversial - like Hillary Clinton on a very good day, or a typical moderate-Republican office-holder on a terse day. See it through, political goalposts, training, don't leave chaos behind us, etc. Exactly what you'd expect from someone from the O'Hanlon side of the Party.
Oh, would you look at that - somebody's put up wiki pages on the candidates. Here's McCracken's. Hmm. Lots of stupid talk about fiscal responsibility. As if a freshman from the sticks would get on the Appropriations Committee. I mean, Peterson is, but he's been around for a good long while. They don't make you a cardinal during your first term, Mr. Commissioner! And frankly? A Clearfield politician pushing for *ethanol* is just a purblind fool. He should be stumping for coal-to-gasoline if he had his constituents actual interests at heart. Plonk.
Rick Vilello doesn't have a wiki entry, but he does have his own, awful-looking campaign site. He seems to think that lumber is an alternate fuel source. I'm not sure if that means methanol or woodburners. His issues page sounds like bad Obama - all cheap parallel rhetoric and airy assertion. The bottom-most part of the page actually *rolls off the template*. I'm still not sure what exactly he proposes for "Economic Development and Rural Development", except by that construction he considers them distinct and separate items...
Here's Cahir's wiki. Igh, he worked for both Ted Kennedy and Harris Wofford. That's not a good sign. Iraq proposals in detail... what's "Operation Homeward Bound"? That sounds fraught. Google brings up something which I don't think is the same thing, given the internal details. Economically speaking, he seems to be a big "government partnership" guy, which isn't good. I'd hope that we'd all learned better during the Nineties, but I guess statism and borderline corporatism is an occupational hazard among Beltway denizens, and one of Cahir's biggest weaknesses is that he is a Beltway denizen, first as a Senate aide, then as a reporter on the congressional beat. His big-brain interventionist healthcare proposals require serious tax increases, so that's a big "no". But at least there's some details here.
At first pass, looks like I'll be voting for my carpetbagger neighbor in the primaries, but I'd have to be offered a pretty repulsive or lunatic alternative to vote for him in November. He's too statist on taxation & government intervention for me to be happy with him given what I'm seeing, but he seems better than the other Democratic alternatives.
Mark B. McCracken. The only thing I know about him is what I've read in the CDT, namely, he's a county commissioner from Clearfield, and has an ill-thought-out "bring 'em home now" position on Iraq. I don't think so.
Rick Vilello, the mayor of Lock Haven. Again, never heard of him before now. And frankly? Mayors in Central Pennsylvania are nonentities. I couldn't tell you *Bellefonte*'s mayor without resorting to Google. (I checked, far as I can tell, it's still Stanley Goldman.) The point here, is that it isn't really a serious stepping stone. His position on Iraq is worse than McCracken's - glib, stupid, and dangerous.
Finally, there's Bill Cahir, my carpetbagging Iraq-war veteran neighbor. As expected, his position is solid and uncontroversial - like Hillary Clinton on a very good day, or a typical moderate-Republican office-holder on a terse day. See it through, political goalposts, training, don't leave chaos behind us, etc. Exactly what you'd expect from someone from the O'Hanlon side of the Party.
Oh, would you look at that - somebody's put up wiki pages on the candidates. Here's McCracken's. Hmm. Lots of stupid talk about fiscal responsibility. As if a freshman from the sticks would get on the Appropriations Committee. I mean, Peterson is, but he's been around for a good long while. They don't make you a cardinal during your first term, Mr. Commissioner! And frankly? A Clearfield politician pushing for *ethanol* is just a purblind fool. He should be stumping for coal-to-gasoline if he had his constituents actual interests at heart. Plonk.
Rick Vilello doesn't have a wiki entry, but he does have his own, awful-looking campaign site. He seems to think that lumber is an alternate fuel source. I'm not sure if that means methanol or woodburners. His issues page sounds like bad Obama - all cheap parallel rhetoric and airy assertion. The bottom-most part of the page actually *rolls off the template*. I'm still not sure what exactly he proposes for "Economic Development and Rural Development", except by that construction he considers them distinct and separate items...
Here's Cahir's wiki. Igh, he worked for both Ted Kennedy and Harris Wofford. That's not a good sign. Iraq proposals in detail... what's "Operation Homeward Bound"? That sounds fraught. Google brings up something which I don't think is the same thing, given the internal details. Economically speaking, he seems to be a big "government partnership" guy, which isn't good. I'd hope that we'd all learned better during the Nineties, but I guess statism and borderline corporatism is an occupational hazard among Beltway denizens, and one of Cahir's biggest weaknesses is that he is a Beltway denizen, first as a Senate aide, then as a reporter on the congressional beat. His big-brain interventionist healthcare proposals require serious tax increases, so that's a big "no". But at least there's some details here.
At first pass, looks like I'll be voting for my carpetbagger neighbor in the primaries, but I'd have to be offered a pretty repulsive or lunatic alternative to vote for him in November. He's too statist on taxation & government intervention for me to be happy with him given what I'm seeing, but he seems better than the other Democratic alternatives.
Wednesday, March 12, 2008
Now that's how you do a sex scandal. That's sin on a monumental scale. That's hypocrisy and chutzpah worthy of respect.
Tuesday, March 11, 2008
Oh, what would we do without the spinal-reflexive perversity and contrariness of Slate? Surprisingly, they found somebody other than Christopher Hitchens to write this week's poison obituary.
The moonbat nest on the other side of Trinity Methodist, next to the Presbyterian Church's little parking lot, has been decorated by a massive poster or tapestry of the Dear Leader in the front window. Big BHO himself, four times as large as life and staring out at the passers-by on Spring Street, like a poster of one of the "Four Beards" in some drear Orwellian square. What makes nominal Americans indulge in such cult-of-personality antics? Is the the instinctive need of the weak reed for the safety of a snug, well-bundled fasces?
Thursday, February 14, 2008
Monday, February 11, 2008
I read Under the Banner of Heaven this weekend, after running into a lot of recent references to it in online discussions of Mormon polygamy. What a disappointment! I don't believe I've ever encountered an allegedly mainstream book of nonfiction wherein the author thought it appropriate to accuse the founder of a religion of being a practitioner of "necromancy". Furthermore, the book is totally lacking in footnotes, and suffers heavily from "stuff some pissed-off ex-polygamists told me which I will now regurgitate".
Don't get me wrong, I suspect the premise of the book - that polygamy, and specifically patriarchal religious polygyny, is inherently destructive of societies, families, and individuals - is basically true. I'd like to read a balanced, well-researched examination of the thesis in the Mormon context. Instead I got a shrieking exemplar of "moral panic" journalism.
Don't get me wrong, I suspect the premise of the book - that polygamy, and specifically patriarchal religious polygyny, is inherently destructive of societies, families, and individuals - is basically true. I'd like to read a balanced, well-researched examination of the thesis in the Mormon context. Instead I got a shrieking exemplar of "moral panic" journalism.
Friday, January 25, 2008
Looks like a new neighbor of mine, Bill Cahir, is moving back into the District to run for the Democratic nomination for Peterson's seat. He's a journalist and a Marine in the reserves, with two tours in Iraq under his belt. His pro-blog's here, I'm still looking it over.
I'm technically a Democrat, and there really isn't time enough to re-register Republican before the April primaries. I should probably do some research on the Democratic candidates for the seat.
Update: it seems more like a summary of his political reporting for a local paper the next district over than anything from his own political opinions or positions. A lot of stuff about US Rep. Dent, from the Lehigh Valley.
I'm technically a Democrat, and there really isn't time enough to re-register Republican before the April primaries. I should probably do some research on the Democratic candidates for the seat.
Update: it seems more like a summary of his political reporting for a local paper the next district over than anything from his own political opinions or positions. A lot of stuff about US Rep. Dent, from the Lehigh Valley.
Friday, January 18, 2008
Nothing much going on in my world. I've been reading some new manga.
Suppli is a pretty-looking, well-put-together working-single manga, slice-of-life stuff. I'm not really clear on why it was shrink-wrapped and emblazoned with an "adult content" label, as I can't even remember if there was any nudity in it, let alone anything more racy. Red River, for an alternate example, had the usual bodice-ripping, and since our protagonist has been raped away to Middle Kingdom-era Egypt, there's acres of exposed breasts on every other page-layout. Anyways, Suppli: pretty good manga, at least for the first volume. Nothing much going on - it's just about a girl in her late twenties trying to figure out what happened and when it was that she stopped having a life outside of work - but it's a very lush, aesthetic sort of nothing. There isn't any fancy hook like Tramps Like Us had, no racy "keeping boys as pets" to catch the casual reader's attention. I'll give it another volume or two before I decide whether it's better or worse than Tramps Like Us, but for now it's pretty much on the same wavelength.
Wild Ones, on the other hand, is all high-concept, little execution. The hook is that our protagonist has just been orphaned, with no close relatives; she finds out that the reason she didn't have any close relatives was because her maternal grandfather is a yakuza don and her mother had cut all ties. She gets adopted into a compound of stereotypical yakuza males and wackiness is expected to ensue. Sadly, not nearly as much wackiness as one might have hoped - this is no Gakusen, and of course somebody decided that our yakuza princess needed an age-appropriate beau to play kishi to her hime - or ojou as the case might be. Eh, it's not terrible, and maybe it'll get better in later volumes.
SA is one where it *better* improve in later volumes, because the first volume is horrifically repetitive and the art frankly sucks. The plot is pretty much Kare Kano crossed with Ouran High School Host Club - a pathologically competitive heroine struggling to beat her ice-king love-interest within the context of a high school elite called "SA" or "Special A", in reference to the Japanese habit of segregating their classes by A-B-C-D-E cadres. It's got some spark of entertainment, and it livened up a slow evening the other day, but the mangaka can only repeat the same two-page rote introduction of the same caste of characters before I wind up for a quick cast of the book 'gainst the nearest flat surface. Also? if you're going to build up an accomplishment-gradient for your class structure, if you want *any* sort of suspense or tension - show some movement. Class isn't caste, and if you're going to fill a book with elite children of company presidents, I want to see one of those companies go down in flames and take the smug elite brat with it. Movement makes for drama - it's a character arc, not a line for the love of pete.
The manga for Welcome to the NHK is up to its fifth volume, and I'm now officially out of my comfort area. You can only do so many things to a character or set of characters before I get freaked out, and the protagonist's stubborn insistence on finding rock-bottom and then breaking out dynamite & blasting caps to see if he can get any lower - the scenes with him back at home with the folks - that, my friends, has helped me find my inner freakout. I think I've had enough of Welcome to the NHK and hikkikomori in general. It just isn't a good subject for fiction.
Suppli is a pretty-looking, well-put-together working-single manga, slice-of-life stuff. I'm not really clear on why it was shrink-wrapped and emblazoned with an "adult content" label, as I can't even remember if there was any nudity in it, let alone anything more racy. Red River, for an alternate example, had the usual bodice-ripping, and since our protagonist has been raped away to Middle Kingdom-era Egypt, there's acres of exposed breasts on every other page-layout. Anyways, Suppli: pretty good manga, at least for the first volume. Nothing much going on - it's just about a girl in her late twenties trying to figure out what happened and when it was that she stopped having a life outside of work - but it's a very lush, aesthetic sort of nothing. There isn't any fancy hook like Tramps Like Us had, no racy "keeping boys as pets" to catch the casual reader's attention. I'll give it another volume or two before I decide whether it's better or worse than Tramps Like Us, but for now it's pretty much on the same wavelength.
Wild Ones, on the other hand, is all high-concept, little execution. The hook is that our protagonist has just been orphaned, with no close relatives; she finds out that the reason she didn't have any close relatives was because her maternal grandfather is a yakuza don and her mother had cut all ties. She gets adopted into a compound of stereotypical yakuza males and wackiness is expected to ensue. Sadly, not nearly as much wackiness as one might have hoped - this is no Gakusen, and of course somebody decided that our yakuza princess needed an age-appropriate beau to play kishi to her hime - or ojou as the case might be. Eh, it's not terrible, and maybe it'll get better in later volumes.
SA is one where it *better* improve in later volumes, because the first volume is horrifically repetitive and the art frankly sucks. The plot is pretty much Kare Kano crossed with Ouran High School Host Club - a pathologically competitive heroine struggling to beat her ice-king love-interest within the context of a high school elite called "SA" or "Special A", in reference to the Japanese habit of segregating their classes by A-B-C-D-E cadres. It's got some spark of entertainment, and it livened up a slow evening the other day, but the mangaka can only repeat the same two-page rote introduction of the same caste of characters before I wind up for a quick cast of the book 'gainst the nearest flat surface. Also? if you're going to build up an accomplishment-gradient for your class structure, if you want *any* sort of suspense or tension - show some movement. Class isn't caste, and if you're going to fill a book with elite children of company presidents, I want to see one of those companies go down in flames and take the smug elite brat with it. Movement makes for drama - it's a character arc, not a line for the love of pete.
The manga for Welcome to the NHK is up to its fifth volume, and I'm now officially out of my comfort area. You can only do so many things to a character or set of characters before I get freaked out, and the protagonist's stubborn insistence on finding rock-bottom and then breaking out dynamite & blasting caps to see if he can get any lower - the scenes with him back at home with the folks - that, my friends, has helped me find my inner freakout. I think I've had enough of Welcome to the NHK and hikkikomori in general. It just isn't a good subject for fiction.
Friday, January 04, 2008
Ugh, thanks Iowa. A choice between the Christian socialist and an antiwar apparachnik wrapped in Horatio Alger clothing. I'd probably go with Obama, but only because I *don't* miss elections.
And I might change my mind if there were a single pro-war independent. No matter how crazy.
Now that I think about it, both Huckabee and Obama are Christian socialists. Clinton's pretty big on the social gospel herself, but she's got other things going on. For that matter, think of what happens in the Islamic world when an apostate becomes the most powerful man in the world. They're gonna go apeshit. Obama may not be interested in war, but war will definitely be interested in him.
And I might change my mind if there were a single pro-war independent. No matter how crazy.
Now that I think about it, both Huckabee and Obama are Christian socialists. Clinton's pretty big on the social gospel herself, but she's got other things going on. For that matter, think of what happens in the Islamic world when an apostate becomes the most powerful man in the world. They're gonna go apeshit. Obama may not be interested in war, but war will definitely be interested in him.
Thursday, January 03, 2008
Wait, Peterson is retiring? He's only been a US Representative for a dozen years or so. His predecessor in the district lasted eighteen years. Peterson's been a *good* congressman, and I haven't heard a peep about any challengers - we're as close to a pocket borough as you get in the US, even if he wasn't a pretty good fit for the region. Is he sick? Not seriously, according to the press release.
That'll throw the cat in among the canaries. I don't think anyone in the district was prepared to have a contested congressional election worth talking about, and at the same time that Peterson's been in a very public slapfight with the governor over I-80, at that!
Who're the possible candidates? Corman's a joke, most of the Centre County state senators and representatives are Democrats except for Benninghoff, who's got some seniority but is too much of an old state bull to make the jump to national. Maybe James Rhodes from Clinton? Hanna's got the seniority for the Democratic side of things, and is conservative enough to be an old Democratic bull in a deeply hick-red district. Causer from Potter seems kind of young, but likely. What about Joe Scarneti? He's pretty loud on the subject of Fast Eddie's turnpike scam. Sam Smith from Jefferson, on the other hand, looks too old to be running for Congress for the first time.
That'll throw the cat in among the canaries. I don't think anyone in the district was prepared to have a contested congressional election worth talking about, and at the same time that Peterson's been in a very public slapfight with the governor over I-80, at that!
Who're the possible candidates? Corman's a joke, most of the Centre County state senators and representatives are Democrats except for Benninghoff, who's got some seniority but is too much of an old state bull to make the jump to national. Maybe James Rhodes from Clinton? Hanna's got the seniority for the Democratic side of things, and is conservative enough to be an old Democratic bull in a deeply hick-red district. Causer from Potter seems kind of young, but likely. What about Joe Scarneti? He's pretty loud on the subject of Fast Eddie's turnpike scam. Sam Smith from Jefferson, on the other hand, looks too old to be running for Congress for the first time.
Monday, December 17, 2007
So what are the great film renditions of Empty Manhattan? I can think of the following:
The World, the Flesh and the Devil. Anti-racism inversion of a deeply bigoted Victorian novel starring Harry Belafonte. Pretty damned good, and the Manhattan offered is stark, and modernist, and sleek, and utterly inhuman. The machine grinding on after its care-takers have left, still well-greased, oiled, and precise in the absence of any purpose.
The Devil's Advocate. It's a late-period New York-as-Babylon apocalypse, Gordon -Gecko-taken-to-the-fantastic-extreme film. A horror movie that uses surreality to emphasize alienation and grotesqueries, the empty-streets-of-Manhattan scenes are used to establish the end of the Masquerade, and the beginning of the End-of-Days. So, this movie's empty-streets-of-Gotham are intended to evoke anxiety - ye olde fear-and-trembling.
I'm having trouble thinking of other dead-Manhattan or empty-Manhattan movies. Anyone have anything to add?
The World, the Flesh and the Devil. Anti-racism inversion of a deeply bigoted Victorian novel starring Harry Belafonte. Pretty damned good, and the Manhattan offered is stark, and modernist, and sleek, and utterly inhuman. The machine grinding on after its care-takers have left, still well-greased, oiled, and precise in the absence of any purpose.
The Devil's Advocate. It's a late-period New York-as-Babylon apocalypse, Gordon -Gecko-taken-to-the-fantastic-extreme film. A horror movie that uses surreality to emphasize alienation and grotesqueries, the empty-streets-of-Manhattan scenes are used to establish the end of the Masquerade, and the beginning of the End-of-Days. So, this movie's empty-streets-of-Gotham are intended to evoke anxiety - ye olde fear-and-trembling.
I'm having trouble thinking of other dead-Manhattan or empty-Manhattan movies. Anyone have anything to add?
Wow, the new "Viridian Collection" edition boxsets from Funimation are spectacularly cheap. Cardboard sleeves cheap. The Tenchi Muyo GXP set just showed up in the mail, and if I hadn't paid roughly $1.15 an episode, I'd be feeling a bit gypped right about now. Hope the discs don't come out of the sleeves auto-scratched, which I seem to remember was a problem with the similarly-packaged early PAL Buffy season 2 sets back in the early days of DVD. Those PAL Buffy collections weren't nearly as sleazy-cheap as this GXP set is. Mind you, I paid twice as much for the PAL Buffy set... which reminds me, would anyone want some decade-old Buffy PAL dvds? I've got the first three seasons sitting around gathering dust on a back shelf. Got an aging APEX DVD player chip-modded to play PAL discs, too.
Saturday, December 15, 2007
I just read the novella "I Am Legend". The title makes a lot more sense for *that* story than for the movie. I'm not quite clear why they bothered hanging the title on the new movie - the movie's story had more in common with 28 Days Later and other modern-day zombie flicks than Matheson's story. I suppose there's the bacteriological explanation of the scourge, the madness of the characters, their inclination towards mad science, and their essential isolation. In the end, the novella is an ironic late-modern version of Lovecraft's "the Outsider", about the loneliness of becoming the monster. The Neville of the movie never explicitly becomes the scourge and monster that the Neville of the novella has already become on the first page. His monstrousness is less explicit, less textual, left to interpretation, and subverted by Smith's essential decency as a film presence.
I Am Legend isn't nearly as bad as the critics made it sound. It's actually pretty good - sort of like Castaway with monsters. Castaway's another movie that had an excellent first two-thirds, followed by a shaky final act. But to be honest, I didn't hate the ending of I Am Legend. I could have done without the nearly ten minute excerpt of Shrek - even Steven Spielberg shouldn't be allowed to get away with that kind of stuff any more - but in general I was able to suspend disbelief and go with the internal logic of the ending.
There's a lot of talk about how inherently likeable and amiable Will Smith is as an actor, but one of the marvels of the story was how aged and morally damaged his Robert Neville is by what he's seen and done. The usual moral calculus of zombie movies is inverted by the establishment of this Neville as a scientist and virologist. Despite some idiot claims by some reviewers, Smith's Neville doesn't start the movie hunting or slaughtering the monsters. Rather, he seems to be avoiding them as much as possible, and when he captures one, it's to test out a promising cure on the slavering thing which used to be a girl. Later, we see photographic records of each monster which he's captured and killed in the process of testing his serums. It's an unsettling moment, as you suddenly look again at your protagonist and see a mad scientist and borderline serial-killer in the place of a heroic castaway. It's all means to an end, but you can see that he's operating by habit and routine - that he's going through the motions of a plan, the soundness and righteousness of which he has mostly forgotten.
Smith's Neville lives so much on the surfaces of things because the depths have monsters. He moves from light to light, sealing himself up and locking down as the light goes away. He populates his locales with manikins, and carries on conversations, and has lost his way among them to such an extent that when one is moved out of its place, he becomes confused, violent, and makes a terrible mistake.
Smith's Neville is a man so morally fractured by his failures and successes that he's more a mosaic of partial personalities than a whole man. Inside his townhouse, he's a loving family man - to a family consisting solely of his dog. Inside his lab, he's a rigorous scientist. In his open-air office at the end of a dockside pier, he's a parody of a bureaucrat, waiting for other survivors, of whom he's given up all other hope except for those few designated hours by the river. When the shutters close, he hides with his dog in the darkness. The only thing holding his parts together is the only other person in his life - his dog Sam. Sam is the one thing holding his life together, and when she dies, then Neville goes smash.
The movie goes smash a bit as well, although not so much that I wasn't able to enjoy everything that followed. The CGI was terrible, not in that it was technically bad - although it didn't impress me all that much - but rather that it is a terrible temptation to cinematographers and directors. CGI is a cheat, a shortcut. It requires no discipline on the part of artists, and thus it relieves the pressure on decision-makers to make choices, to commit to one action at a time. CGI allows blazingly-fast action sequences, and the faster they go, the cheaper the cost, because all of that blur can hide all sorts of shortcuts and cheats and render-tricks. Instead of showing one single clash, with a small and well-defined set of actors or objects in motion, CGI allows and almost seems to demand a blur of mobs in motion. Blur isn't interesting, and mobs multiplied by cut-and-paste are basically expensive wallpaper, and about as threatening.
There are honestly cool things in the last third of I Am Legend. Every single one of them would have been better with at least half of the CGI animation cuts excised. I don't know why they thought they needed spectacle beyond the scenes of Empty Manhattan. Those were far, far more powerful than any of the swirling killer-zombie cuts of the last third. The head monster was most alarming when he was *still*. Whenever he moved, he became an effect, and then action wallpaper.
Too bad. American movies aren't going to get better until they fire half the animators, and send the directors off to make films with real-world special effects. Real explosive squibs and stuntmen teach a certain respect for the craft which isn't much different from fear. But fear teaches. Ask John Landis.
There's a lot of talk about how inherently likeable and amiable Will Smith is as an actor, but one of the marvels of the story was how aged and morally damaged his Robert Neville is by what he's seen and done. The usual moral calculus of zombie movies is inverted by the establishment of this Neville as a scientist and virologist. Despite some idiot claims by some reviewers, Smith's Neville doesn't start the movie hunting or slaughtering the monsters. Rather, he seems to be avoiding them as much as possible, and when he captures one, it's to test out a promising cure on the slavering thing which used to be a girl. Later, we see photographic records of each monster which he's captured and killed in the process of testing his serums. It's an unsettling moment, as you suddenly look again at your protagonist and see a mad scientist and borderline serial-killer in the place of a heroic castaway. It's all means to an end, but you can see that he's operating by habit and routine - that he's going through the motions of a plan, the soundness and righteousness of which he has mostly forgotten.
Smith's Neville lives so much on the surfaces of things because the depths have monsters. He moves from light to light, sealing himself up and locking down as the light goes away. He populates his locales with manikins, and carries on conversations, and has lost his way among them to such an extent that when one is moved out of its place, he becomes confused, violent, and makes a terrible mistake.
Smith's Neville is a man so morally fractured by his failures and successes that he's more a mosaic of partial personalities than a whole man. Inside his townhouse, he's a loving family man - to a family consisting solely of his dog. Inside his lab, he's a rigorous scientist. In his open-air office at the end of a dockside pier, he's a parody of a bureaucrat, waiting for other survivors, of whom he's given up all other hope except for those few designated hours by the river. When the shutters close, he hides with his dog in the darkness. The only thing holding his parts together is the only other person in his life - his dog Sam. Sam is the one thing holding his life together, and when she dies, then Neville goes smash.
The movie goes smash a bit as well, although not so much that I wasn't able to enjoy everything that followed. The CGI was terrible, not in that it was technically bad - although it didn't impress me all that much - but rather that it is a terrible temptation to cinematographers and directors. CGI is a cheat, a shortcut. It requires no discipline on the part of artists, and thus it relieves the pressure on decision-makers to make choices, to commit to one action at a time. CGI allows blazingly-fast action sequences, and the faster they go, the cheaper the cost, because all of that blur can hide all sorts of shortcuts and cheats and render-tricks. Instead of showing one single clash, with a small and well-defined set of actors or objects in motion, CGI allows and almost seems to demand a blur of mobs in motion. Blur isn't interesting, and mobs multiplied by cut-and-paste are basically expensive wallpaper, and about as threatening.
There are honestly cool things in the last third of I Am Legend. Every single one of them would have been better with at least half of the CGI animation cuts excised. I don't know why they thought they needed spectacle beyond the scenes of Empty Manhattan. Those were far, far more powerful than any of the swirling killer-zombie cuts of the last third. The head monster was most alarming when he was *still*. Whenever he moved, he became an effect, and then action wallpaper.
Too bad. American movies aren't going to get better until they fire half the animators, and send the directors off to make films with real-world special effects. Real explosive squibs and stuntmen teach a certain respect for the craft which isn't much different from fear. But fear teaches. Ask John Landis.
Monday, December 10, 2007
So I ended up buying a Chevy this weekend. I walked up to the dealership at the mall, and they happened to have a brand-new metallic-tangerine-orange Aveo five-door on the backlot still wrapped up with the shipping tape they use to keep it from getting banged up in the shipping racks. I got what I think was a fairly good deal; after I took it out for a test-drive, I tried to get out the door in enough time to catch the 11:08 bus from the mall into town, go check out some other dealerships on North Atherton. He pulled the usual "what can I do to get you in this car" routine, and I said, wildly, "$1000 off the sale price" in an attempt to get away without offense. They coughed up, mostly, and it was a good enough price to make up for not being a Honda or Toyota. To be honest, most of my reasons for getting a car from the latter was tied up in maintenance and quality concerns, and multiple thousands of dollars less than I would have been paying otherwise tends to make up for the difference.
So, Aveo. My mother called it "cute" when she looked it up online while I was talking to her on the phone, and I can't deny it. I was greatly amused by the color, as my father has a golf cart in that exact color, which is supposedly the same color as the Charger he owned when my parents met. It's a small car, but remarkably high off the ground - the driver's seat is higher off the pavement than any previous car I've owned. We'll see how good it is in ice and slush; Saturday wasn't nearly foul enough to provide ideal crap-weather driving conditions for the test drive, and no tractor-trailers appeared conveniently on the stretch of I-99 we took for the highway test-drive, so we'll see just how much buffeting this little hatchback can take from the big trucks moving fast. I've never been much of a leadfoot, anyways, so it seems like enough car under the hood to get me where I need to go.
It's an automatic; sorry, Jessica. ^_^
So, Aveo. My mother called it "cute" when she looked it up online while I was talking to her on the phone, and I can't deny it. I was greatly amused by the color, as my father has a golf cart in that exact color, which is supposedly the same color as the Charger he owned when my parents met. It's a small car, but remarkably high off the ground - the driver's seat is higher off the pavement than any previous car I've owned. We'll see how good it is in ice and slush; Saturday wasn't nearly foul enough to provide ideal crap-weather driving conditions for the test drive, and no tractor-trailers appeared conveniently on the stretch of I-99 we took for the highway test-drive, so we'll see just how much buffeting this little hatchback can take from the big trucks moving fast. I've never been much of a leadfoot, anyways, so it seems like enough car under the hood to get me where I need to go.
It's an automatic; sorry, Jessica. ^_^
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