Insomnia takes you to strange places, looking on a whim for a painting to match the spirit of "Silent, upon a peak in Darien".

What makes Homer, Homer for those previous generations?  That classical education which is two generations past now?  I've never quite felt that reverence or connection for the shadowy Ionian that that vet and his predecessors held for him.  A Homeric literary foundation is kind of unusual in Americans, even in the old days.  Allan Bloom claimed that Americans made the Bible their cultural touchstone, in the way that the British made Homer and the Greeks, and the French Pascal and Proust and Descartes, and the Germans Kant and Goethe and Hegel.

BTW, this is the painting I had in mind, Friedrich's "Wanderer above the Sea of Fog", it has nothing to do with the Keats sonnet, but then, a lot of the literature on that poem has to do with the inaccuracy of his factual constructs, and the importance of a pre-rational, emotional connection with literary culture.

"Darien" was drifting in my mind's eye from tonight's reading of a crummy Penguin Books collection of extracts from Lord Macaulay's History of England, specifically about the doomed Scottish venture in Darien.  Paterson, the visionary who also gave the Bank of England to the southrons, had this bright idea about inserting a Scottish commercial colony in the debatable lands between the viceroyalties of New Grenada and New Spain.  Sadly, his Darien was as phantasmic as Keats' Panamanian Cortez, and all such transoceanic trade plans for the Panamanian isthmus were scotched by ferocious disease gradients until the early twentieth century's advances in pest control conquered those difficulties, if only to a degree.

So, depending on how you define your terms, either I rescued a wild cat, or I've kidnapped a free feline-American and am holding her captive in a second-floor dungeon.  She had her first vet's visit and has figured out how the kitty litter box works, and has only bitten me once so far.  (Necessitating a separate trip to the doctor for a tetanus shot & antibiotics prescription.  No sign of rabies in either of us so far.)

She's been named Otonashi, for her generally withdrawn and quiet disposition.  I've yet to see her out in the open while there's someone around to spot her; when I'm in the room, she carefully lurks under the bed.

A rushing wind howls without rhythm and wild

Driving over the sere sleeping slopes

Rising and falling without pattern or meaning

Bringing up such a racket, percussive rattling of

The half-dead limbs and spidery half-broken

Twigs of winter-stunned wooded life waiting

Cacophony piled upon cacophony, yet the rattling

Brings rhythm into the previously-empty world

Emergent harmonies of limbs all more or less alike

Of a common length and flex and yet

Enough variance to bring high and low tones,

Fast and slow syncopations

Until the empty wood like an orchestra tuning

Stills

At the sound of three sharp cracks

A bough falls alone

Like a wand without conductor's guiding hand

And the wind and the wood sing forth in concert

For the sleeping squirrels and crows amazed awake.

Red skies at morning
Yellow and blackened
Blue in the west
The sun winks over the
Limb of the world
And is closed by
Pinked eyelid skies
The roaring is muffled
In swift cotton-swabbing
Rushing cloud-banks and
The kindled bronze
Slopes in the west
Flare and burn out
Storm rushing over
The troubled face of the deep
Sailors take warning.

In this predawn darkness
Defeated
Routed
In flight before the morning light
It roars overhead
Freight-train Fate
Crushing the air between
Steel wheels and steel rail
Howling affronted by
The dying possibility of
The night that was past
Cries judgment of the day
In the moment of its birth
Predestinate by that vast
Rumbling
Howl.

Let us look at her now, let us see her plain,
She will never be quite like this again.
Her house is rocking under the blast
And she hears it tremble, and still stands fast,
But this is the last, this is the last.
The last of the wine and the white corn meal,
The last high fiddle singing the reel,
The last of the silk with the Paris label,
The last blood-thoroughbred safe in the stable
- Yellow corn meal and a jackass colt,
A door that swings on a broken bolt,
Brittle old letters spotted with tears
And a wound that rankles for fifty years -
This is the last of  Wingate Hall,
The last bright August before the Fall,
Death  has been near, and Death has passed,
But this is the last, this is the last.
There will be hope, and a scratching pen,
There will be cooking for tired men,
The waiting for news with shut, hard fists,
And the blurred, strange names in the battle-lists,
The April sun and the April rain,
But never this day come back again.

Stephen Vincent Benet, John Brown's Body, excerpt from Book IV

There are no apocalypses, no universal objective ends, not that we know of.  But for every life, there is a last bright August before the Fall, and some feel it, that cold whisper of winter in the pre-harvest heat of rank summer, the first leaf falling far in advance of the turning of the color, the weather turning for him and him alone.  Our endings are individual, no matter how we project them onto the screen of our times.  The best we can do is not let our times project themselves upon us, prematurely.  I would like to think that the Mayan and the Camping raptures were a passing thing, but such projections of individual ends of the world will no doubt continue, as failures mount, and the brightness fades from more family fires.

The hills are echoing with Feu de joie, and fireworks, but this year, they sing to me:

There is no future, there is no past,
There is only this hour and it goes fast,
Hurry, hurry, this is the last,
This is the last,
This is the last.

     That prison is ourselves that we have built,
     And, being so, its loneliness is just,
     And, being so, its loneliness endures.
     But, if another came,
                          What would we say?
     What can the blind say, given back their eyes?
     No, it must be as it has always been.
     We are all prisoners in that degree
     And will remain so, but I think I know
     This - God is not a jailor....

-Steven Vincent Benet, excerpt from John Brown's Body, Book 5

Lincoln really was a Hebraic saint, for the mid-century American modernists - a beau ideal for the Ugly American - not smart, not beautiful, not quick, but making a virtue of stubbornness and essential honesty. When did we lose our way? Was it when the Ugly American became a taunt and an accusation, rather than a quiet, self-effacing assertion of battered virtue? When the Quiet American replaced it in the hearts of the wise? When the educated and would-be elite spat scorn at the "middle-brow" staring back at them in the mirror?

So much for hopes and dreams.  Turns out, they were "the ghosts in the burning city of our time..."

"This is for you who are to come, with Time,
And gaze upon our ruins with strange eyes."

Nightmares and Visitants really is a heartbreaking book.  He saw death on the march, saw the tens of millions that would suffer, would break, and die.  He's largely forgotten now, which is another sign of our decline and coming fall.

We will not be saved, because we don't deserve to be saved.  We have more wealth than any people to ever trod this earth, and less wisdom than ever.  We have more people in school, than ever, and they seem engaged in the destruction of understanding and knowledge. 

The country wants to be a child again.  A simple majority has chosen to vote themselves back into the womb.  But they've put the management of that vast national womb in the hands of a chaotic crowd of imbeciles, incompetents and, I fear, at least a few abortionists.

An angel came to me and stood by my bedside,
Remarking in a professorial-historical-economic and irritated voice,
"If the Romans had only invented a decent explosion-engine!
Not even the best, not even a Ford V-8
But, say, a Model T or even an early Napier,
They'd have built good enough roads for it (they knew how to build roads)
From Cape Wrath to Cape St. Vincent, Susa, Babylon and Moscow,
And the motorized legions never would have fallen,
And peace, in the shape of a giant eagle, would brood over the entire Western World! "
He changed his expression, looking now like a combination of Gilbert Murray, Hilaire Belloc and a dozen other scientists, writers, and prophets,
And continued, in angelic tones,
"If the Greeks had known how to cooperate, if there'd never been a Reformation,
If Sparta had not been Sparta, and the Church had been the Church of the saints,
The Argive peace like a free-blooming olive-tree, the peace of Christ (who loved peace) like a great, beautiful vine enwrapping the spinning earth!
Take it nearer home," he said.
'Take these Mayans and their star-clocks, their carvings and their great cities.
Who sacked them out of their cities, drowned the cities with a green jungle?
A plague? A change of climate? A queer migration?
Certainly they were skilful, certainly they created.
And, in Tenochtitlan, the dark obsidian knife and the smoking heart on the stone but a fair city,
And the Incas had it worked out beautifully till Pizarro smashed them.
The collectivist state was there, and the ladies very agreeable.
They lacked steel, alphabet and gunpowder and they had to get married when the government said so.
They also lacked unemployment and overproduction.
For that matter," he said, "take the Cro-Magnons,
The fellows with the big skulls, the handsome folk, the excellent scribers of mammoths,
Physical gods and yet with the sensitive brain (they drew the fine, running reindeer).
What stopped them? What kept us all from being Apollos and Aphrodites
Only with a new taste to the nectar,
The laughing gods, not the cruel, the gods of song, not of war?
Supposing Aurelius, Confucius, Napoleon, Plato, Gautama, Alexander—'
Just to take half a dozen—
Had ever realized and stabilized the full dream?
How long, O Lord God in the highest? How long, what now, perturbed spirit?"

He turned blue at the wingtips and disappeared as another angel approached me.
This one was quietly but appropriately dressed in cellophane, synthetic rubber and stainless steel,
But his mask was the blind mask of Arcs, snouted for gas-masks.
He was neither soldier, sailor, farmer, dictator nor munitions-manufacturer.
Nor did he have much conversation, except to say,
"You will not be saved by General Motors or the pre-fabricated house.
You will not be saved by dialectic materialism or the Lambeth Conference.
You will not be saved by Vitamin D or the expanding universe.
In fact, you will not be saved."
Then he showed his hand:
In his hand was a woven, wire basket, full of seeds, small metallic and shining like the seeds of portulaca;
Where he sowed them, the green vine withered, and the smoke and the armies sprang up.

"Nightmare, with Angels", Steven Vincent Benet 1935

We thought we were done with these things but we were wrong We thought, because we had power, we had wisdom. We thought the long train would run to the end of Time.
We thought the light would increase.
Now the long train stands derailed and the bandits loot it.
Now the boar and the asp have power in our time.
Now the night rolls back on the West and the night is solid.
Our fathers and ourselves sowed dragon's teeth.
Our children know and suffer the armed men.

excerpt from "Litany for Dictatorships", Steven Vincent Benet, 1935.

I woke to a dream of my whole neighborhood lined up outside the precinct, waiting for the doors to open.  They turned and asked me "where have you been?"

In this freakish, horribly nostalgic season of old miseries and old terrors, there are sad truths, and then there are persistent hopes.

In the pre-morning darkness, I believe in my neighbors. I believe that we haven't yet gone into that greater darkness which is behind the darkness.

I believe I see, in my mind's eye, that colored scrap of cloth above the scorched battlements, beginning to lift on the first faint breath of a predawn breeze.

Get out and vote.  Every damn last one of you all.