Wednesday, May 26, 2010

Whenever you see a story about a politician, ask yourself: Where is the proof that this happened?. I think that's an excellent thing to do.

You want proof that Palin mowed the lawn?

Two comments on a culture-clash post by Althouse on the Palin's creepy new journalist-stalker neighbor.

Tuesday, May 25, 2010

Yeah, OK, that's it. Stop tasking the president with this oil spill crap. He's an [expletive deleted], but oil spills aren't really his direct responsibility, and the root of his whole faction's ideology is the nationalization of every issue, the governmental usurpation of every problem, every dilemma, every decision. We shouldn't be buying into this whole "the president was hired to fix every problem" delusion, even if it does make for a nifty hammer to batter our partisan opponent currently in office.

In cases like this where the solution isn't obvious or subject to brute-force methods, direct governmental intervention, or properly speaking, militarization of the response is counter-productive. Experimentation and new ideas bubble upwards - they don't seep down. I was intrigued by this idea, which they've been working on for twenty years now, and looking for an opportunity to try out, but I don't want the government grabbing a hold of it and running wild with it, either. Because it probably won't work. I am often intrigued by ideas which don't pan out. Most ideas don't. Small-scale failures are invaluable, because they reveal bad ideas in small crucibles without burning the whole damn lab down.

But government has a bad habit of reinforcing failure, because government operates by ego, not profit or logic. Small-scale offends the healthy ego. If you're going to win, win BIG, and of course you'll win - you're the GOVERNMENT!

Government solutions only really work when the problem is subject to suffocation by enormity. I think it's becoming increasingly obvious that the Gulf oil spill isn't really something that can be suffocated by burying it under with Big.

Wednesday, May 19, 2010

So PA-12 embarrassed and disappointed us all. Again. I'm done with the 12th, it's a mirage, a white elephant, a rocky shore upon which too many barques have broken. It will be broken up itself in the next redistricting, and hopefully the corrupted populace of that pork-bloated blot upon the landscape won't have too much effect in the politics of the neighboring districts that will have to absorb them.

Meanwhile, every newspaper site I look at this morning is coated in an infuriating slime of pop-ups, intrusively animated ads, and general irritation. Thank the hypothetical I don't have a sound card in this machine, I have no doubt my ears would be ringing with the desperate shrieks of marketing gone mad.

Tuesday, May 11, 2010

The primary elections for Pennsylvania are coming up a week from today. I have a pretty good idea whom I'm voting for with most of the races - Corbett for governor, Toomey for the Senate, any tea party candidates available for the party functionary offices, and the incumbents for the state legislature. However, there's an unmanageable mass of Republican candidates for lieutenant governor, none of which I've ever heard of, and now I'm wondering if it's worth the effort to figure out which one's least objectionable.

Is the lieutenant governancy worth a bucket of warm spit? We survived five years of the grossly incompetent, senile, or just plain crazy Catherine Baker Knoll, and I see that she died three years ago & was replaced without my having even noticed it. On the other hand, it is useful to have a competent lt. governor on hand if something takes the sitting governor out of office - Schweiker was a better governor than the elected clod he replaced, to cite an example.

So, then, is there a Schweiker lurking in the pack of would-be lt. governors?

Update: Where the heck does the state party apparatus get off endorsing statewide candidates in the primaries? That's reason enough to *not* vote for Cawley. I'm starting to like Kennedy, although I don't fancy an "insurgent" candidate with enough money to air a lengthy radio ad like the one I heard going to lunch this afternoon.

Still and all, while ideological purity is tempting, state offices tend to be technocratic positions, demanding organizational and financial competence. Obama's myth of competence would have *never* have survived a term as governor of Illinois. He merely presents as a technocrat - he obviously has no interest in actual work. All this being a pretty good argument for Jean Craige Pepper, who seems to have decent financial management experience.

Of course, the worry with technocrats is that they'll turn out to be Herbert Hoovers - the Peter Principle writ catastrophically large. Also, you should watch out for signs of corporatist inclinations with candidates with big-business CVs. Are they the sorts that want to reduce governance to "bringing everyone to the table"? The bane of "reasonable men", really. And I don't like the whole paleofeminist come-on. It's tone-deaf and whiny.

Ugh. Kennedy seems like a crank.

Monday, May 03, 2010

Pixy went and challenged his audience to come up with a ten-most-representative list of anime from 2000-2009. First off, in order to come up with these representatives, you need to come up with proper categories for the period under consideration. Und so:

1) Magical Girl

It's debatable whether the Oughts were a good decade for Magical Girl. It's a shoujo category (aside from seinen parodies - see next catagory), and shoujo anime's had a bad, no-good, limping lame decade. The resources have been mostly sucked into otaku rubbish, and fujoshi are a distinctly minor and incidental audience for the anime studios. Furthermore, fujoshi couldn't care less about magical girls. There's something distinctly Showa or early Heisei about traditional mahou shoujo. As the decade wore on, the magical girl show went somewhat sideways - becoming increasingly baroque, odd, or just plain decadent - notable examples include ballet fever-dream Princess Tutu, the slow and cheerful-doomed fatalism of In Search of a Full Moon or the impenetrable, gnomicly endless Pretty Cure franchise. So, creeping in just under the 2000 start-line, I'm going with the final word in old-school magical girl, CLAMP's Card Captor Sakura.

2) Magical Girlfriend

(note, these are completely distinct and mostly-unrelated - see My Wife is a Magical Girl for exception to rule.)

Magical girlfriend, unlike magical girl, is a masculine, otaku-ish wish fulfillment genre - a literal Manic Pixie Dream Girl descends upon nebbish protagonist & makes him into a man. Our heroine is some sort of magical being - goddess, devil, fairy, ghost, etc, etc - who for whatever reason, appears to live with protagonist & make his life wonderfully awful. These are endless, and so forgettable that you find yourself forgetting the details before the DVD stops spinning in the drive, but notable examples include Crazy Shrine Maidens Kannagi, Steel Angel Kurumi, Mahoromatic, and an absolutely endless parade of their peers and lesser lights. This one has to be the Melancholy of Haruhi Suzumiya, wherein our protagonist discovers that God is a petulant, bored high school girl who must be entertained upon pain of Armeggedon; think of it as Kierkegaard in a moe moment, Fear and Trembling before the Demiurge in a sailor fuku.

3) The Reverse Harem.

Traditionally, the harem show is male-oriented, but the Oughts saw an influx of harems full of bishounen for the ladies, as the fujoshi cannibalized what remained of the dying shoujo anime market. And we saw a bunch of good ones, such as Pretear, Ouran High School Host Club, and the Wallflower. But as good as those shows are, the rose has to go to the original reverse-harem - 2001's Fruits Basket.

4) Juvenile Delinquents

We don't tend to see many of these over here, because the art-style is generally ugly, the sentiments rather barbaric, and the comedy brash, brutal, and kind of insular. But there were a number of these which worked pretty well in the Oughts - the yakuza-schoolteacher school comedy Gokusen, the magical-girlfriend fusion Midori's Days, the thugs-and-Freddie-Mercury-do-Azumanga Daioh comedy Cromartie High School, and even the much-maligned street-fighting comedy Air Master. But the show to watch in this category is 2002's Tenshi na Konamaiki, whose manga was released in the states by Viz under the name Cheeky Angel. Yeah, I was just saying over on AoD that there isn't a chance in hell of it ever getting licensed in North America. I don't care, it's funny as all heck.

5) Real Robot mecha

There are generally two types of mecha shows, semi-realistic "robots are pilotable tanks", and the broad-wild-crazy "robots are Gods Upon The Earth". This is the former, and as it sounds, it tends more towards the realistic. Mecha doesn't really go out of fashion, but sometimes the fashions take certain fans out of what they're doing in Japan at the moment. I thought about giving this palm to Kyoto Animation's Full Metal Panic: the Second Raid, but that show's a sequel, and its original just didn't have the steam to bring a new fan into the spirit of the thing. So I'm going to go with the glorious, mad, Lord-Byron-beautiful Code Geass, which took an alternate-universe political soap opera, filled it with roller-blading mecha, and put a swanning teen-aged Magnificent Bastard anti-villain at its manic core.

6) God Robot mecha

And while we're on the subject of the two types of mecha, here's the other side of the coin - the giddy, testosterone-poisoned God Robot genre. The Nineties were a better decade for God Robots than the Oughts, what with Evangelion, Rahxephon, Neo-Ranga, and the like, and I could have been convinced to leave this category out for lack of good examples; the only specimens were dripping with irony and the stink of sweaty fanboy parody.

Then Gainax made Gurren Lagann, and all of a sudden we're in the midst of a minor Go Nagai revival. Hot-blooded raging giant robots are back, and they've beaten irony to death with the backside of a ten-ton drill.

7) Psychic Fightin' Teenagers

Now we come to a genre I don't have much use for - Naruto, Tokyo Underground, Tokyo Maijin, Bleach, etc. I thought of going with A Certain Magical Index or its yuri-iffic sequel A Certain Scientific Railgun, but they're neither particularly good nor particularly representative.

Psychic Fightin'Teenagers shows are kind of eh, but it's the sort of eh which people - other people - love the heck out of. But, I do have a fondness for the Bleach manga, and I discovered last year that my father watches it on Cartoon Network. That's enough to pull you out of the pack of shounen jive, Bleach. Congrats, you suck a little less than your peers!

8) Moeblob

Moe is ineffable - to define it is to kill it. I am ashamed to admit that I watch far more of it than I'd like people to think, because it really does sail way, way too close to lolita-complex skeeviness. The Oughts are pretty well dominated by the Reign of Moe, from Azumanga Daioh to Lucky Star to K-On!

I'm tempted to be obnoxious and cite the killer-loli slasher-moe that I'm watching right now, When They Cry, but it isn't all that well-animated, and really, why go for the shock value? So I'm going to grab for something from Shaft and Akiyuki Shinbo, the King of Moe. It has to be Hidemari Sketch, a completely and utterly platonic ideal of moe.

9) Kung Fu, Gun-Fu, and Contemporary Hardasses

Criminals, kempo masters, cops, and gunsels - there's a lot of this going out there; Nabeshin when he's being all serious and calling himself Shinchiro Watanabe is a past master of this sort of thing - see examples like Samurai Champloo, Michiko and Hatchin, and Cowboy Bebop. But this decade's most essential gun-fu calvacade of badassery is Black Lagoon, with its black-and-coal-black morality, corrupted view-point protagonist and his Ax Crazy/Heroic Sociopath kidnapper-slash-love-interest. It really is essential viewing - just don't watch it with children in the room.

10) Weaponized Women

Girls with Guns is *so* Eighties. The Oughts' innovation along these lines have been crudely called "Pokegirls", but I prefer the old gag translation of Saikano, "Weaponized Girlfriend". Sometimes it's literal, like the fighter-plane-legged heroines of Strike Witches, sometimes they're mutated escapees from the magical girl ghetto like Nanoha, and sometimes the badassery is bionic and all on the inside, like Kiddy Grade, but mostly it's cute girls with the individual destructive capacity of a mid-range Third World Military and the aerial agility of aerobatic stunt squadron pilots. This one is definitely going to be One Maiden Army Corps exemplar Mai Otome.